Resources and References
Linda Nochlin
Women, Art and Power and
Other Essays
Harper & Row
New York, 1988
Linda Nochlin
Representing Women
Thames and Hudson
New York, 1999
Griselda Pollock
Vision and Difference. Feminism, Femininity and the Histories of Art
Routledge, New York,
London, 2003
Agnese De Donato
Via Ripetta 67
Al Ferro di Cavallo
pittori, scrittori e poeti nella libreria più bizzarra degli anni '60 a Roma
Edizioni Dedalo, Bari, 2005
Malin Hedlin Hayden, Jessica Sjöholm Skrubbe
Feminisms is Still Our Name- Seven Essays on Historiography and Curatorial Practices
Cambridge Scholars Publishing, Cambridge, 2010
Claudia Herstatt
Women Gallerists in the 20th and 21st Centuries
Hatje Cantz Verlag, 2008
Marianne Le Morvan
Berthe Weill
1865 - 1951
La petite galeriste des grands artistes
L'Ecarlate, Orleans, 2011
Agathe Gaillard
Mémoires d'une Galerie
Gallimard, Paris, 2013
Julie Verlaine
Les galeries d’art contemporain à Paris. Une histoire culturelle du marché de l’art,
1944 - 1970
Publications de la Sorbonne, Paris, 2012
Germano Celant
Virgina Dwan and Dwan Gallery
Skira, Milano, 2016
Lynn Catterson
Dealing Art on Both Sides of the Atlantic,
1860 - 1940
Brill, Leiden-Boston, 2017
Maria Quirk
Women, Art and Money in England, 1880-1914. The Hustle and the Scramble
Bloomsbury, London, 2019
Christel H. Force, ed.
Pioneers of the Global Art Market. Paris-Based Dealers Networks,
1850 - 1950
Bloomsbury Publishing, Bloomsbury, 2020
Kathryn Brown, ed.
The Routledge Companion to Digital Humanities and Art History
New York, Routledge, 2020
Christian Derouet and Nadine Lehni, eds. Jeanne Bucher une galerie d’avant-garde 1925-1946. De Max Ernst à de Staël, exh. cat. Les Musées de la ville de Strasbourg, Paris: Skira, 1994
Julie Verlaine and Christian Briend, eds.
20 galeries du 20e siècle, France 1905-1970, Cahiers du Musée national d’art moderne, hors-série 2020
Éditions du Centre Pompidou, Paris, 2020
Berthe Weill
Pow! Right in the Eye!
Thirty Years Behind the Scenes of Modern French Painting
The University of Chicago Press, Chicago, 2022
Bruce Altshuler
A Reminiscence of Virginia Zabriskie, an Important and Undersung Art Dealer
Hyperallergic
Hyperallergic.com, 2019
Natalia Murray and Natalia Budanova
Two Women Patrons of the Russian Avant-Garde: Nadezhda Dobychina and Klavdia Mikhailova
Unicorn Publish Group, East Sussex, 2021
André Breton
Le Cadavre exquis :
son exaltation
Galerie Nina Dausset,
Paris, 1948
Holly Solomon &
Alexandra Anderson
Living With Art
Rizzoli International Publications, Inc.
New York, 1988
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Ombline Damis « Galerie Françoise Mayer : l’art de démocratiser l’Art »
in Collect, n°517, Eté 2022, pp.30-33.
© COLLECT Arts Antiques Auctions, 2022 - Tous droits réservés
Laura Iamurri
Un margine che sfugge. Carla Lonzi e l'arte in Italia (1955 - 1970)
Quodlibet, Macerata, 2016
Elio Grazioli, ed.
Io sono Carla Pellegrini. Storia della Galleria Milano e di tutto quello che mi è piaciuto fare
A+mbookstore, Milano, 2018
Raffaella Perna
Arte, fotografia e femminismo in Italia negli anni Settanta
Postmedia Books, Milano, 2019
Claartje Rasterhoff, Sandra van Ginhoven, eds.
Art Markets and Digital Histories
MDPI, Basel, 2020
Cristina Casero
Gesti di rivolta, Arte, fotografia, femminismo a Milano 1975-1980
Società per l'enciclopedia delle donne, Milano, 2020
Cristina Casero, ed.
Gesti di rivolta, Arte, fotografia, femminismo a Fotografia e femminismo nell'Italia degli anni Settanta - Rispecchiamento, indagine critica e testimonianza
Postmedia Books, Milano, 2021
Denise Vernerey-Laplace and Helene Ivanoff, eds. Les Artistes et leurs galeries Paris-Berlin, 1900-1950, vol. 1, Paris Presses Universitaire de Rouen et du Havre,
Mont-Saint-Aignan, 2019
James Scott
The Women Who Shaped Modern Art in Britain
Unicorn Publishing Group, East Sussex, 2021
Margo Leavin and Shaun Caley Regen
LA Gallery History: Part 1 of Margo Leavin in Conversation with Shaun Caley Regen
GALLERYPLATFORM.LA
galleryplatform.la, 2020
Margo Leavin and Shaun Caley Regen
LA Gallery History: Part 2 of Margo Leavin in Conversation with Shaun Caley Regen
GALLERYPLATFORM.LA
galleryplatform.la, 2020
Anouk Chambard
Un élément de l'histoire des lieux alternatifs d'art parisiens : Le Lieu-Dit, un espace d'exposition féministe
Journal de l'Université d’été de la Bibliothèque Kandinsky, n. 6+7, 2021
Clément Dirié
Iris Clert L'astre ambigu de l'avant-garde
Les éditions Hermann
Paris, 2021
Hanina Fine Arts exh. cat.
Women Gallerists of
Post-War Paris
Hanina Fine Arts
London, 2020
Dianne Sachko Macleod
Enchanted Lives, Enchanted Objects - American Women Collectors and the Making of Culture
1800 - 1940
University of California Press, Berkeley, 2008
Pamela Fletcher,
Anne Helmreich, eds.
The Rise of the Modern Art Market in London, 1850 - 1939
Manchester University Press, Manchester,
New York, 2011
Julie Verlaine
Femmes collectionneuses d'art et mécènes, de 1880 à nos jours
Éditions Hazan, Vanves, 2013
Doris Wintgens
Peggy Guggenheim and Nelly Van Doesburg. Advocates of De Stijl
Nai Uitgevers Pub, Rotterdam, 2017
Ilaria Schiaffini, Vittoria Caterina Caratozzolo, Claudio Zambianchi, eds.
Irene Brin, Gaspero del Corso e la Galleria L'Obelisco
Drago, Roma, 2018
Catherine D'Ignazio, Lauren F. Klein
Data Feminism
The MIT Press,
London - Cambridge, 2020
Lynn Catterson
Florence, Berlin and Beyond-Late Nineteenth-Century Art Markets and Their Social Networks
Brill, Leiden-Boston, 2020
Francesca Gallo, Ilaria Bernardi, eds., Mara Coccia and
Daniela Ferraria
Le opera e gli archivi
- Works and Archives
Silvana Editoriale, Cinisello Balsamo, 2020
Stéphanie Airaud and Vassili Clert, eds.
Iris Clert - Microspective, exh. cat.
Musée d’art moderne et contemporain de Strasbourg, Strasbourg,
Nov. 2003 - Feb. 2004
Denise Vernerey-Laplace and Helene Ivanoff, eds. Les Artistes et leurs galeries Paris-Berlin, 1900-1950, vol. 2, Berlin
Presses Universitaire de Rouen et du Havre,
Mont-Saint-Aignan, 2019
Henry Martin
Profile: Beatrice Judd Ryan
impresario
impresario-project.com
2020
Artspace Editors
Dealer Betty Parsons Pioneered Male Abstract Expressionists—But Who Were the Unrecognized Women Artists She Exhibited?
Artspace
Artspace.com, 2017
Diana Seave Greenwald
Painting by Numbers:
Data-Driven Histories of Nineteenth-Century Art
Princeton University Press, Princeton, 2021
Jean-Paul Ameline and Véronique Wiesinger, eds.
Denise rene, l'intrepide: une galerie dans l'aventure de l'art abstrait. 1944-1978
Editions du Centre Pompidou, Paris, 2001
Iris Clert
Grand Femmes
Petits Formats
Typo-Odeon
Paris, 1974
Paul Gardner
"The Stable wasn't 'just another gallery'"
ARTnews, vol. 18, no. 5,
May, 1982, p. 108
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